Sarah Westwood
Sarah Westwood
I use memory and intuition as a source for my music, and am drawn toward mixed media/interdisciplinary projects, for dance, video, theatre, installation or concert works. I make both acoustic and electronic music, sometimes incorporating found objects and sounds. In my current research practice, I use the memory of composing for dance as a compositional process. This feedback results in a memory of a memory for new compositions ...
Sarah Westwood
composer//sound artist//musician
I use memory and intuition as a source for my music, and am drawn toward mixed media/interdisciplinary projects, for dance, video, theatre, installation or concert works. I make both acoustic and electronic music, sometimes incorporating found objects and sounds. In my current research practice, I use the memory of composing for dance as a compositional process. This feedback results in a memory of a memory for new compositions ...
Sarah Westwood
composer//sound artist//musician
my sound is torn to whispers
My idea is to record my experience walking along the Horniman's Nature Trail. I would walk around the nature trail with the intention of focusing on internal experience of my movement. And I would weave this with recordings from my graphic scores that explore minerals and ventricles, the memory of somatic movement. I would create a new graphic score from this walk. Ideally if I find any objects around the trail (sticks, stones,) I would perform and record my graphic scores with those. Part of Goldsmiths "Sounds of the Gardens" at The Horniman Museum, London.
Part of Being Human Festival - and in partnership with Horniman Museum and Gardens, Goldsmiths "Sounds from the Gardens" and DIVAcontemporary / electricbackroom STUDIO
To request a recording and score, please get in touch here
Performances:
14/12/19 The Kabo, Estalagem da Ponta do Sol, Madeira
16/11/19 - 17/11/19 The Horniman Museum and Gardens, London
